February 6, 2009 ISSUE

From Middle Class Heroes to Kung Fu Slapstick

While Indian audiences may not be impressed, Smitha Radhakrishnan wonders if underneath the clichés, there is diversification to be appreciated in Rab Ne Bana Di Jodi and Chandni Chowk to China.

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Between Social Realism and Kawaii Virtuality

When it comes to contemporary independent Chinese cinema, the International Film Festival Rotterdam provides a slice of the real, the surreal, and the virtual.

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