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L.A.
sways with Yo-Yo Ma's Sounds of Brazil!
By
Anne Lee

Yo-Yo
Ma on the cover of his latest album, "Obrigado
Brazil." Courtesy of Sony Classical Recording |
What
better way to spend a summer evening than to listen
to soothing Brazilian music performed by Yo-Yo Ma and
Brazil's best musicians. Not only that, but if you're
a smart bowl-goer, you'll have a great picnic packed,
ready to dine under the stars.
The
Hollywood Bowl saw another spectacular performance Sunday
night, August 10th, with Yo-Yo Ma's Sounds of Brazil,
part of KCRW's summer World Music series. Featuring
world renowned cellist Yo-Yo Ma with his hand-picked
Brazilian ensemble, this fresh medley provided a novel
alternative for summer concert goers and served as a
taste test for Yo-Yo Ma's newest Latin-American recording,
"Obrigado Brazil."

Yo-Yo
Ma played Sunday, August 19th, at the Hollywood
Bowl. Courtesy of kathrynstott.com |
Collaborating
with the best, Yo-Yo Ma once again sent sparks flying,
especially in one of his opening sets with the Assad
Brothers, Sergio and Odair, of the famous Brazilian
music family of Assad's. Having played for forty years,
the brothers' quick, lively strumming of the guitar
provided a contrast with the deeper, mellower sounds
of the cello, creating a whole new feel for Brazilian
music. One particular song written about a child perfectly
conveyed the tone of innocence with a clean and clear
harmony and melding of the instruments. They ended the
set with a flourish amidst audience applause and hugs
between the musicians.

Rosa
Passos on the cover of her best collection. Courtesy
of hollywoodbowl.org |
Then
Rosa Passos took the stage in a romantic black dress.
Sitting on a stool, looking and singing beautifully
in Portuguese, Rosa coated the bowl with her sweet voice,
bringing a bossa nova-esque quality to the concert.
Her floating, airy voice suited the sensual tunes perfectly.
Ma's rich music interwoven with her soothing voice breezed
toward the audience and created an uproar. In response,
the artist said in her heavily accented voice,"I
don't speak English but I love you," before proceeding
to the last song before intermission, which was of course
another hit. Rosa's voice became one with the instruments,
echoing the cello and following tightly behind the piano,
sometimes quick, sometimes slow and legato.
When
the second act opened, the sky had already turned dark,
but the upbeat number kept the audience's musical fires
burning bright. The Assad Brothers returned to the stage
with famous clarinetist, Havana-born Paquito D'Rivera,
adding yet another dimension to the music.

World-renowned
duo-guitarists the Assad Brothers played with Ma
Sunday night. Courtesy of hollywoodbowl.org |
Percussionist
Cyro Baptista opened a particularly memorable number
with his exotic beats and extraordinarily quick drumming.
Ma's cello was right on his tail, but with slower, longing
strokes almost reminiscent of his work in "Crouching
Tiger, Hidden Dragon's" soundtrack.
As
the night winded down, Ma performed a few simpler pieces
with only Stott on the piano. But before the closing
numbers, Ma had a short announcement to make: "We
heard there was a proposal. Did Grace accept?"
What better way to propose than on a summer evening
in front of thousands of people, under the stars with
sensual Brazilian music playing? Everyone clapped and
congratulated the couple, and Ma dedicated the next
song, with Rosa on vocals, to the "happy couple."
Rosa returned, this time guitar in hand, and sang yet
another outstanding, Brazilian bossa nova love song.
With
the Bowl packed to the brim, it was no surprise that
there were two encore songs, ending the night on a high
note with the fusion of cello and Brazilian music, so
wonderfully suited for L.A.'s crisp summer night, especially
if you were one of those picnic-ready bowl-going experts.
It was an eye-opener and delicious sample of the wide
array of Brazilian music, with an added edge of flavor
and spice from Yo-Yo Ma's cello.
August
15, 2003
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